Заха Хадид была архитектором-революционером, который в течение многих лет почти ничего не построил, несмотря на признание критиков. Некоторые даже говорили, что ее смелые футуристические замыслы невозможно воплотить в жизнь. В последние годы жизни смелые замыслы Хадид стали реальностью, привнеся новый уникальный архитектурный язык в такие разные города и сооружения, как Центр современного искусства Розенталя в Цинциннати, получивший признание. New York Times назвала «самым важным новым зданием в Америке со времен холодной войны», музей MAXXI в Риме, Оперный театр Гуанчжоу в Китае и Центр водных видов спорта Олимпийских игр 2012 года в Лондоне. Во время ее неожиданной смерти в 2016 году Хадид прочно вошла в элиту мировой архитектуры, признана первой женщиной, получившей как Притцкеровскую премию в области архитектуры, так и Королевскую золотую медаль RIBA, но прежде всего как создательница новых форм, первый великий архитектор нулевых. От ее ранних зданий с острыми углами до более поздней более плавной архитектуры, в которой полы, потолки, стены и мебель были частью общего дизайна, это важное введение представляет ключевые примеры новаторской практики изучения художника и архитектора, которая боролась за то, чтобы сломать старые правила и создала свою собственную вселенную 21-го века.
Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable.During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as “the most important new building in America since the Cold War," the MAXXI Museum in Rome, the Guangzhou Opera House in China, and the London 2012 Olympics Aquatics Centre.At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties.From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice to study an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe.
Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable.During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as “the most important new building in America since the Cold War," the MAXXI Museum in Rome, the Guangzhou Opera House in China, and the London 2012 Olympics Aquatics Centre.At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties.From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice to study an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe.
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