Футуризм был основан в 1909 году Филиппо Томмазо Маринетти вместе с художниками Джакомо Балла, Умберто Боччони, Карло Карра и Джино Северини. Движение и машины являются его самыми ценными образами. Вместе с художниками, скульпторами, дизайнерами, архитекторами и писателями группа стремилась превратить пыльный истеблишмент в новую эпоху гладкой, сильной, чистой современности. Место футуризма в истории искусства столь же двойственно, сколь и важно. Движение стало пионером революционных методов передачи движения, света и скорости, но вызывает споры из-за прославления войны и фашистской политики. Их бешеные, почти яростные полотна столь же примечательны своей мужественной агрессией, как и радикальными экспериментами с мазками, текстурой и цветом в стремлении запечатлеть объект, движущийся в пространстве. Ведущие практики, эта книга знакомит с движением, которое плевало язвой во все -измы прошлого и тем самым создало свой собственный -изм. «Мир обогатился новой красотой: красотой скорости».
With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity.Futurism's place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, almost furious, canvases, are as remarkable for their macho aggression as they are for their radical experimentation with brushstrokes, texture, and color in the quest to record an object moving through space.With key examples from the Futurists' prolific output and leading practitioners, this book introduces the movement that spat vitriol at all -isms of the past and, in so doing, created an -ism of their own.“The world has been enriched by a new beauty: the beauty of speed."
With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity.Futurism's place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, almost furious, canvases, are as remarkable for their macho aggression as they are for their radical experimentation with brushstrokes, texture, and color in the quest to record an object moving through space.With key examples from the Futurists' prolific output and leading practitioners, this book introduces the movement that spat vitriol at all -isms of the past and, in so doing, created an -ism of their own.“The world has been enriched by a new beauty: the beauty of speed."
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